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Kareena Hot Biography
Kareena Kapoor (pronounced [kəˈriːnaː kəˈpuːr]; born 21 September 1980), also known as Kareena Kapoor Khan, is an Indian actress who appears in Bollywood films.[1] She is the daughter of actors Randhir Kapoor and Babita, and the younger sister of actress Karisma Kapoor. Noted for playing a variety of characters in a range of film genres—from contemporary romantic dramas to comedies—Kapoor has received six Filmfare Awards, and has established herself as a leading actress of Hindi cinema.[2][3]
After making her acting debut in the 2000 war drama Refugee, Kapoor's early years in the film industry were successful; she received a Filmfare nomination for Asoka (2001) and appeared in the melodrama Kabhi Khushi Kabhie Gham... the same year, one of her biggest commercial successes to date. This was followed by a series of commercial failures and repetitive roles, which garnered her negative reviews. She portrayed a sex worker in Chameli (2004), the turning point in her career, and starred in the critically acclaimed films Dev (2004) and Omkara (2006). Kapoor played the lead female role in the romantic comedy Jab We Met (2007, which earned her the Filmfare Award for Best Actress) and the drama 3 Idiots (2009, the highest-grossing Bollywood film of all time).
Married to actor Saif Ali Khan, Kapoor's off-screen life is the subject of widespread coverage in India. She is known in the Indian media for being publicly outspoken and assertive, and is recognised for her contributions to the film industry through her fashion style and film roles. In addition to film acting, Kapoor is a stage performer and has contributed as co-author to three books: her autobiographical memoir and the other two being nutrition guides. She has also launched her own clothing line in association with the retail chain Globus.Born into a film family in Mumbai on 21 September 1980, Kapoor is the younger daughter of Randhir Kapoor and Babita (née Shivdasani);[5] her elder sister Karisma is also an actress. Often informally referred to as Bebo,[6] she is the granddaughter of actor and filmmaker Raj Kapoor and niece of actor Rishi Kapoor. According to Kapoor, the name "Kareena" was derived from the book Anna Karenina, which her mother read while she was pregnant with her.[7] She is of Punjabi descent on her father's side,[8] and on her mother's side she is Sindhi.[9]
Describing herself as a "very naughty [and] spoilt child", Kapoor's exposure to films from a young age kindled her interest in acting;[4] she was particularly inspired by the work of actors Nargis and Meena Kumari.[10] Despite her family background, her father disapproved of women entering films because he believed it conflicted with the traditional maternal duties and responsibility of women in the family.[11] This led to a conflict between her parents, and they separated.[12] She was then raised by her mother, who worked several jobs to support her daughters until Karisma debuted as an actress in 1991.[13] After living separately for several years, her parents reconciled in October 2007.[12] Asked about her relationship with her father, Kapoor remarked, "My father is an important factor in my life.Although we did not see him often in our initial years, we are a family now."[13]
Kapoor attended Jamnabai Narsee School in Mumbai, followed by Welham Girls' School (a boarding school) in Dehradun.[10] She attended the institution primarily to satisfy her mother, though later admitted to liking the experience.[4] According to Kapoor, she was a good student and received first-class honours in all subjects except mathematics.[4] After graduating from Welham she studied commerce for two years at Mithibai College in Vile Parle (Mumbai).[10] Kapoor then registered for a three-month summer course in microcomputers at Harvard University in the United States.[10] She later developed an interest in law, and enrolled at the Government Law College in Churchgate; during this period, she developed a long-lasting passion for reading.[10] However, after completing one year at Churchgate, Kapoor decided to pursue her interest to become an actress.[14] She began training at an acting institute in Mumbai mentored by Kishore Namit Kapoor, a member of the Film and Television Institute of India (FTII).While training at the institute, Kapoor was cast as the female lead in Rakesh Roshan's Kaho Naa... Pyaar Hai (2000) opposite his son, Hrithik Roshan.[10] Several days into the filming, however, she abandoned the project; Kapoor later explained that she had benefited by not doing the film since more prominence was given to the director's son.[10] She debuted later that year alongside Abhishek Bachchan in J. P. Dutta's war drama Refugee. Set during the Indo-Pakistani war of 1971, the film centers on a man who illegally transports civilians back and forth across the border. Kapoor portrayed Naaz, a Bangladeshi girl who falls in love with Bachchan's character while illegally migrating to Pakistan with her family. Her performance was acclaimed by critics; Taran Adarsh of Bollywood Hungama wrote that Kapoor "has a magnetic personality, which will make the viewer fall in love with her instantly. What surprises you is the ease with which she emotes the most difficult of scenes [...] There is no denying the fact that she is a natural performer who is very camera friendly."[16] On the experience of acting in her first film, Kapoor described it as "tough ... [but] also a great learning experience".[10] Refugee was a moderate box-office success in India[17] and Kapoor's performance earned her the Filmfare Award for Best Female Debut.[18]
For her second release, Kapoor was paired opposite Tusshar Kapoor in Satish Kaushik's box office success Mujhe Kucch Kehna Hai (2001).[19] A review in The Hindu noted that she was "definitely the actress to watch out for, if her debut with Abhishek in Refugee and now Mujhe Kucch Kehna Hai are any indication".[20] She next starred in Subhash Ghai's family drama Yaadein alongside Jackie Shroff and Hrithik Roshan. The drama centres on the character of Raj Singh Puri, a middle-class man, and his daughters' marriages. Kapoor played the youngest daughter (and Roshan's love interest), Isha Singh Puri. The film received negative reviews and was unsuccessful at the box office.[19]
Later that year, she appeared in Santosh Sivan's period epic Asoka, a partly fictionalised account of the life of Ashoka—an Indian emperor of the Maurya Dynasty. It was widely screened across the United Kingdom and North America, and was selected for the Venice and 2001 Toronto International Film Festivals.[21] Featured opposite Shahrukh Khan (who played Ashoka), Kapoor portrayed Kaurwaki—a Kalingan princess, with whom Ashoka falls in love—and received her first nomination for Best Actress at the Filmfare Awards.[18] While the film received generally positive reviews, Kapoor's performance received mixed reactions from critics; Rediff.com concluded that her presence in the film was primarily used for aesthetic purposes.[22]
Kapoor's final release of 2001 was Kabhi Khushi Kabhie Gham..., a melodrama in which she was part of an ensemble cast that included Amitabh Bachchan, Jaya Bachchan, Shahrukh Khan, Kajol and Hrithik Roshan. Directed by Karan Johar, the film was a major financial success; it became India's second highest-grossing film of the year and Kapoor's highest-grossing film to that point.[19] It also became one of the biggest Bollywood success of all time in the overseas market, earning over 1 billion (US$18 million) worldwide.[23] Kapoor's performance as Poo (a good-natured, superficial girl) was described by Taran Adarsh as "one of the main highlights of the film",[24] and earned her a Filmfare Best Supporting Actress nomination.[18
During 2002 and 2003, Kapoor experienced a setback in her career. She starred in six films—Mujhse Dosti Karoge!, Jeena Sirf Merre Liye, Talaash: The Hunt Begins..., Khushi, Main Prem Ki Diwani Hoon, and the four-hour war epic LOC Kargil—all of which were critically and commercially unsuccessful.[25][26] Critics described Kapoor's performances as unoriginal and repetitive, with little inspiration;[5] they expressed concern that she was becoming typecast. These negative reviews motivated her to accept more challenging roles.The year 2004 marked Kapoor's work in a series of films that would bring her critical acclaim.[27] Under the direction of Sudhir Mishra, Kapoor essayed the role of a golden-hearted prostitute in Chameli. The film relates the story of a young prostitute who meets with a widowed investment banker (played by Rahul Bose), and follows the development of their relationship as they share their experiences in life. When Kapoor was initially offered the film she refused it, explaining that she would be uncomfortable in the role.[28] However, when Mishra approached her for the second time, she agreed; she now viewed it as an opportunity to demonstrate her acting range.[28] To prepare for the role, she visited several of Mumbai's red-light districts at night to study the mannerisms of sex workers and the way they dressed.[28] Chameli was well received by critics and the film marked a significant turning point in her career, earning Kapoor the Filmfare Special Performance Award.[18][27] Indiatimes praised her "intuitive brilliance" and stated that she had exceeded all expectations.[29] Rediff.com expressed concern that they found her portrayal unconvincing and excessively stereotypical, describing her as "sounding more like a teenager playacting than a brash, hardened streetwalker" and comparing her mannerisms to a caricature.[30]
Kapoor next co-starred in Mani Ratnam's bilingual project Yuva alongside Ajay Devgan, Abhishek Bachchan, Vivek Oberoi, Rani Mukerji and Esha Deol. The film, consisting of three chapters, tells the story of six individuals linked by a car accident. Kapoor is featured in the third chapter as Oberoi's love interest (Mira, a witty young woman). In a Times of India review film critic Subhash K Jha described her role as "fey and insubstantial", but further stated that "she turns these character traits to her own advantage to create a girl who is at once enigmatic and all-there".[31] She then appeared alongside Amitabh Bachchan and Fardeen Khan in Govind Nihalani's critically acclaimed film Dev, which revolved around the 2002 Hindu-Muslim riots in the Indian state of Gujarat.[32] Kapoor's role was that of a Muslim victim named Aaliya, modelled after Zaheera Sheikh (a key witness in Vadodara's Best Bakery case).[32] It earned her a Filmfare Critics Award for Best Actress and nominations for Best Actress at various award ceremonies.[18] Taran Adarsh noted that she was "first-rate" and singled out her scene with Bachchan's character when the latter asks for witnesses to come forward.[33]
Shortly afterwards, Kapoor was cast for the first time as a villain in the thriller Fida. Set against the backdrop of the Mumbai underworld, the film follows the story of an online heist in which her character, Neha Mehra, becomes involved. During the filming of Fida Kapoor began a romantic relationship with co-actor Shahid Kapoor, whom she later described as having "a major positive influence in my life".[34] Although the film was unsuccessful at the box office[35] Kapoor received positive reviews for her performance, and some critics noted a distinct progression from her earlier roles.[36] Her subsequent releases that year included Abbas-Mustan's thriller Aitraaz and Priyadarshan's comedy Hulchul, both of which did well at the Indian box office.[35] Following the success of her last two releases, she was cast as the protagonist of the 2005 drama Bewafaa. The feature received mostly negative reviews, and Kapoor's portrayal of Anjali Sahai (an unfaithful woman) was not well received. Nikhat Kazmi of Indiatimes believed that to become a serious actress Kapoor was embodying a maturer, more-jaded character beyond her years in Bewafaa.[37] She then starred in Priyadarshan's romantic drama Kyon Ki, a film which relates the love story of a mentally ill patient (played by Salman Khan) and his physician (played by Kapoor). The film was a box-office failure;[38] however, Kapoor's performance was generally well received by critics (with the BBC describing her as "a pure natural").[39]
In 2006, Kapoor appeared in three films. She first starred in the thriller 36 China Town, followed by the comedy Chup Chup Ke; both were moderately successful.[40] She next portrayed the character of Desdemona in Omkara, the Hindi adaptation of William Shakespeare's Othello. Directed by Vishal Bhardwaj, the film is a tragedy of sexual jealousy set against the backdrop of the political system in Uttar Pradesh.[41] It premiered at the 2006 Cannes Film Festival and was screened at the Cairo International Film Festival.[41][42] Omkara was received positively by critics, and Kapoor's portrayal earned her a fourth Filmfare Award and first Screen Award.[18] In a 2010 retrospective of the "Top 80 Iconic Performances" of Hindi cinema, Filmfare wrote that she was "brilliant" and praised her ability to "effortless[ly]" convey the various emotions her character went through.[43] Kapoor considered her role in Omkara as a "new benchmark" in her career, and compared her portrayal of Dolly with her own evolving maturity as a woman.[44]
Following Omkara Kapoor took a short break from acting, as she felt that "nothing [was] challenging enough for me to say yes".[44] In an interview with The Times of India Kapoor commented, "In my initial years in the industry, I pushed myself to do a lot of work because I was greedy. I did some films—which I now regret—purely for the money. Today, I want to do selective films.
Kareena Hot Biography
Kareena Kapoor (pronounced [kəˈriːnaː kəˈpuːr]; born 21 September 1980), also known as Kareena Kapoor Khan, is an Indian actress who appears in Bollywood films.[1] She is the daughter of actors Randhir Kapoor and Babita, and the younger sister of actress Karisma Kapoor. Noted for playing a variety of characters in a range of film genres—from contemporary romantic dramas to comedies—Kapoor has received six Filmfare Awards, and has established herself as a leading actress of Hindi cinema.[2][3]
After making her acting debut in the 2000 war drama Refugee, Kapoor's early years in the film industry were successful; she received a Filmfare nomination for Asoka (2001) and appeared in the melodrama Kabhi Khushi Kabhie Gham... the same year, one of her biggest commercial successes to date. This was followed by a series of commercial failures and repetitive roles, which garnered her negative reviews. She portrayed a sex worker in Chameli (2004), the turning point in her career, and starred in the critically acclaimed films Dev (2004) and Omkara (2006). Kapoor played the lead female role in the romantic comedy Jab We Met (2007, which earned her the Filmfare Award for Best Actress) and the drama 3 Idiots (2009, the highest-grossing Bollywood film of all time).
Married to actor Saif Ali Khan, Kapoor's off-screen life is the subject of widespread coverage in India. She is known in the Indian media for being publicly outspoken and assertive, and is recognised for her contributions to the film industry through her fashion style and film roles. In addition to film acting, Kapoor is a stage performer and has contributed as co-author to three books: her autobiographical memoir and the other two being nutrition guides. She has also launched her own clothing line in association with the retail chain Globus.Born into a film family in Mumbai on 21 September 1980, Kapoor is the younger daughter of Randhir Kapoor and Babita (née Shivdasani);[5] her elder sister Karisma is also an actress. Often informally referred to as Bebo,[6] she is the granddaughter of actor and filmmaker Raj Kapoor and niece of actor Rishi Kapoor. According to Kapoor, the name "Kareena" was derived from the book Anna Karenina, which her mother read while she was pregnant with her.[7] She is of Punjabi descent on her father's side,[8] and on her mother's side she is Sindhi.[9]
Describing herself as a "very naughty [and] spoilt child", Kapoor's exposure to films from a young age kindled her interest in acting;[4] she was particularly inspired by the work of actors Nargis and Meena Kumari.[10] Despite her family background, her father disapproved of women entering films because he believed it conflicted with the traditional maternal duties and responsibility of women in the family.[11] This led to a conflict between her parents, and they separated.[12] She was then raised by her mother, who worked several jobs to support her daughters until Karisma debuted as an actress in 1991.[13] After living separately for several years, her parents reconciled in October 2007.[12] Asked about her relationship with her father, Kapoor remarked, "My father is an important factor in my life.Although we did not see him often in our initial years, we are a family now."[13]
Kapoor attended Jamnabai Narsee School in Mumbai, followed by Welham Girls' School (a boarding school) in Dehradun.[10] She attended the institution primarily to satisfy her mother, though later admitted to liking the experience.[4] According to Kapoor, she was a good student and received first-class honours in all subjects except mathematics.[4] After graduating from Welham she studied commerce for two years at Mithibai College in Vile Parle (Mumbai).[10] Kapoor then registered for a three-month summer course in microcomputers at Harvard University in the United States.[10] She later developed an interest in law, and enrolled at the Government Law College in Churchgate; during this period, she developed a long-lasting passion for reading.[10] However, after completing one year at Churchgate, Kapoor decided to pursue her interest to become an actress.[14] She began training at an acting institute in Mumbai mentored by Kishore Namit Kapoor, a member of the Film and Television Institute of India (FTII).While training at the institute, Kapoor was cast as the female lead in Rakesh Roshan's Kaho Naa... Pyaar Hai (2000) opposite his son, Hrithik Roshan.[10] Several days into the filming, however, she abandoned the project; Kapoor later explained that she had benefited by not doing the film since more prominence was given to the director's son.[10] She debuted later that year alongside Abhishek Bachchan in J. P. Dutta's war drama Refugee. Set during the Indo-Pakistani war of 1971, the film centers on a man who illegally transports civilians back and forth across the border. Kapoor portrayed Naaz, a Bangladeshi girl who falls in love with Bachchan's character while illegally migrating to Pakistan with her family. Her performance was acclaimed by critics; Taran Adarsh of Bollywood Hungama wrote that Kapoor "has a magnetic personality, which will make the viewer fall in love with her instantly. What surprises you is the ease with which she emotes the most difficult of scenes [...] There is no denying the fact that she is a natural performer who is very camera friendly."[16] On the experience of acting in her first film, Kapoor described it as "tough ... [but] also a great learning experience".[10] Refugee was a moderate box-office success in India[17] and Kapoor's performance earned her the Filmfare Award for Best Female Debut.[18]
For her second release, Kapoor was paired opposite Tusshar Kapoor in Satish Kaushik's box office success Mujhe Kucch Kehna Hai (2001).[19] A review in The Hindu noted that she was "definitely the actress to watch out for, if her debut with Abhishek in Refugee and now Mujhe Kucch Kehna Hai are any indication".[20] She next starred in Subhash Ghai's family drama Yaadein alongside Jackie Shroff and Hrithik Roshan. The drama centres on the character of Raj Singh Puri, a middle-class man, and his daughters' marriages. Kapoor played the youngest daughter (and Roshan's love interest), Isha Singh Puri. The film received negative reviews and was unsuccessful at the box office.[19]
Later that year, she appeared in Santosh Sivan's period epic Asoka, a partly fictionalised account of the life of Ashoka—an Indian emperor of the Maurya Dynasty. It was widely screened across the United Kingdom and North America, and was selected for the Venice and 2001 Toronto International Film Festivals.[21] Featured opposite Shahrukh Khan (who played Ashoka), Kapoor portrayed Kaurwaki—a Kalingan princess, with whom Ashoka falls in love—and received her first nomination for Best Actress at the Filmfare Awards.[18] While the film received generally positive reviews, Kapoor's performance received mixed reactions from critics; Rediff.com concluded that her presence in the film was primarily used for aesthetic purposes.[22]
Kapoor's final release of 2001 was Kabhi Khushi Kabhie Gham..., a melodrama in which she was part of an ensemble cast that included Amitabh Bachchan, Jaya Bachchan, Shahrukh Khan, Kajol and Hrithik Roshan. Directed by Karan Johar, the film was a major financial success; it became India's second highest-grossing film of the year and Kapoor's highest-grossing film to that point.[19] It also became one of the biggest Bollywood success of all time in the overseas market, earning over 1 billion (US$18 million) worldwide.[23] Kapoor's performance as Poo (a good-natured, superficial girl) was described by Taran Adarsh as "one of the main highlights of the film",[24] and earned her a Filmfare Best Supporting Actress nomination.[18
During 2002 and 2003, Kapoor experienced a setback in her career. She starred in six films—Mujhse Dosti Karoge!, Jeena Sirf Merre Liye, Talaash: The Hunt Begins..., Khushi, Main Prem Ki Diwani Hoon, and the four-hour war epic LOC Kargil—all of which were critically and commercially unsuccessful.[25][26] Critics described Kapoor's performances as unoriginal and repetitive, with little inspiration;[5] they expressed concern that she was becoming typecast. These negative reviews motivated her to accept more challenging roles.The year 2004 marked Kapoor's work in a series of films that would bring her critical acclaim.[27] Under the direction of Sudhir Mishra, Kapoor essayed the role of a golden-hearted prostitute in Chameli. The film relates the story of a young prostitute who meets with a widowed investment banker (played by Rahul Bose), and follows the development of their relationship as they share their experiences in life. When Kapoor was initially offered the film she refused it, explaining that she would be uncomfortable in the role.[28] However, when Mishra approached her for the second time, she agreed; she now viewed it as an opportunity to demonstrate her acting range.[28] To prepare for the role, she visited several of Mumbai's red-light districts at night to study the mannerisms of sex workers and the way they dressed.[28] Chameli was well received by critics and the film marked a significant turning point in her career, earning Kapoor the Filmfare Special Performance Award.[18][27] Indiatimes praised her "intuitive brilliance" and stated that she had exceeded all expectations.[29] Rediff.com expressed concern that they found her portrayal unconvincing and excessively stereotypical, describing her as "sounding more like a teenager playacting than a brash, hardened streetwalker" and comparing her mannerisms to a caricature.[30]
Kapoor next co-starred in Mani Ratnam's bilingual project Yuva alongside Ajay Devgan, Abhishek Bachchan, Vivek Oberoi, Rani Mukerji and Esha Deol. The film, consisting of three chapters, tells the story of six individuals linked by a car accident. Kapoor is featured in the third chapter as Oberoi's love interest (Mira, a witty young woman). In a Times of India review film critic Subhash K Jha described her role as "fey and insubstantial", but further stated that "she turns these character traits to her own advantage to create a girl who is at once enigmatic and all-there".[31] She then appeared alongside Amitabh Bachchan and Fardeen Khan in Govind Nihalani's critically acclaimed film Dev, which revolved around the 2002 Hindu-Muslim riots in the Indian state of Gujarat.[32] Kapoor's role was that of a Muslim victim named Aaliya, modelled after Zaheera Sheikh (a key witness in Vadodara's Best Bakery case).[32] It earned her a Filmfare Critics Award for Best Actress and nominations for Best Actress at various award ceremonies.[18] Taran Adarsh noted that she was "first-rate" and singled out her scene with Bachchan's character when the latter asks for witnesses to come forward.[33]
Shortly afterwards, Kapoor was cast for the first time as a villain in the thriller Fida. Set against the backdrop of the Mumbai underworld, the film follows the story of an online heist in which her character, Neha Mehra, becomes involved. During the filming of Fida Kapoor began a romantic relationship with co-actor Shahid Kapoor, whom she later described as having "a major positive influence in my life".[34] Although the film was unsuccessful at the box office[35] Kapoor received positive reviews for her performance, and some critics noted a distinct progression from her earlier roles.[36] Her subsequent releases that year included Abbas-Mustan's thriller Aitraaz and Priyadarshan's comedy Hulchul, both of which did well at the Indian box office.[35] Following the success of her last two releases, she was cast as the protagonist of the 2005 drama Bewafaa. The feature received mostly negative reviews, and Kapoor's portrayal of Anjali Sahai (an unfaithful woman) was not well received. Nikhat Kazmi of Indiatimes believed that to become a serious actress Kapoor was embodying a maturer, more-jaded character beyond her years in Bewafaa.[37] She then starred in Priyadarshan's romantic drama Kyon Ki, a film which relates the love story of a mentally ill patient (played by Salman Khan) and his physician (played by Kapoor). The film was a box-office failure;[38] however, Kapoor's performance was generally well received by critics (with the BBC describing her as "a pure natural").[39]
In 2006, Kapoor appeared in three films. She first starred in the thriller 36 China Town, followed by the comedy Chup Chup Ke; both were moderately successful.[40] She next portrayed the character of Desdemona in Omkara, the Hindi adaptation of William Shakespeare's Othello. Directed by Vishal Bhardwaj, the film is a tragedy of sexual jealousy set against the backdrop of the political system in Uttar Pradesh.[41] It premiered at the 2006 Cannes Film Festival and was screened at the Cairo International Film Festival.[41][42] Omkara was received positively by critics, and Kapoor's portrayal earned her a fourth Filmfare Award and first Screen Award.[18] In a 2010 retrospective of the "Top 80 Iconic Performances" of Hindi cinema, Filmfare wrote that she was "brilliant" and praised her ability to "effortless[ly]" convey the various emotions her character went through.[43] Kapoor considered her role in Omkara as a "new benchmark" in her career, and compared her portrayal of Dolly with her own evolving maturity as a woman.[44]
Following Omkara Kapoor took a short break from acting, as she felt that "nothing [was] challenging enough for me to say yes".[44] In an interview with The Times of India Kapoor commented, "In my initial years in the industry, I pushed myself to do a lot of work because I was greedy. I did some films—which I now regret—purely for the money. Today, I want to do selective films.
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